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Piano knowledge 您的位置:首頁(yè)NewsPiano knowledge

Basics piano
2015-06-16

1, the basic knowledge of piano

(1) Basic training method is slow piano practice.
Slow practice just like the "big mirror," the song all the details have expanded. The biggest advantage is the time to slow practice based on visual, auditory feedback get adjusted and amended shortcomings and problems. One method is to use slow practice metronome. Even after practice mature works, should not be overlooked too slow practice appropriate.

(2) a planned, purposeful learning:
Rome was not built in a day. Practice the piano is needed is the attitude of perseverance. Piano repertoire range, playing techniques and diverse. Beginners should develop a long-term and short-term learning objectives learning programs, from basic to proceed, step by step learn to aim.

(3) with a good attitude to learn the piano:
Piano process, you may experience emotional ups and downs is not the case. Should the regulation of mood, appropriate to reduce the learning curve, fully stimulate interest in piano, piano relieve tension.

2, when you play the piano coordination body

Coordination of the body involved in piano playing basic posture and body position, etc., will begin to clear, with the deepening of the program, but also continue to develop and better use.

(1) ensure that the fundamental physical coordination:
Ensure coordination body is simply adjusting right and proper posture according to their physical condition. With the improvement in the level of strength, speed, music, mood and color changes put forward more and more demands, so the body's involvement and regulation is also increasingly important.

(2) sitting basic requirements:
To stabilize the hips and sitting stool fixed central force in order to facilitate flexible, do not fill it, you can take half. And in order to take into account the high and low, to sit in the middle of the piano, not free to move, and two legs on the pedal on both sides, in the left leg when playing strong body strength can withdraw as a fulcrum. This is a basic requirement sitting.

(3) around the body of the regulation:
About the regulation of body depends mainly on the basis of sound. In scale, for example, when weak bass, body weight onto the left leg respect to; bomb Alto area, the body weight on both sides to settle; when playing to the treble side of the body weight to the right leg on.

(4) the body before and after adjustment:
Before and after the adjustment of the body may be determined according to the size of the volume, the strength of power.

3, playing the piano in the use of natural weight

The use of natural weight requirement is relaxed the whole arm freely, stretch from shoulder drooping, sagging to coordinate the whole arm, wrist by relaxing the flexible adjustment, and the weight of his arm passed by the finger keyboard.

(1) The realization and the arm of the natural weight
Sitting in the upper body forward, put both arms hang down to completely relax. At this point the arm from the shoulder seems to hang over the nature of the object. Free to swing in the air, shaking, and blood flock to the palm of your hand, leading to the fingertips. Appreciate the natural weight of the arm, we will take up this natural weight used to play the piano. The next finger is necessary to perform its functions and a role.

(2) fingers to bear and support the weight of the whole arm
Three small joints of the fingers slightly raised, especially in parts of the finger palm root joint (hereinafter referred to as "metacarpal") must be supported as a power point. Arms natural weight came down, require that each finger can prop. We started with 44371 staccato way to practice: first a finger to each finger on the piano stand, combined arms natural weight. After a stage, you can freely pop full sound in each finger, and then gradually into legato exercises. Further, we can adjust the weight of severity.

4, the fingers of ability and training

(1) the ability of the fingers:
Ability fingers whether each finger is the ability to separate activities, whether flexible and powerful. Performance in the play is the clarity, uniformity and fluency.

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